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HypatiaFrom Wikipedia, the free encyclopedia
Hypatia ( A Neoplatonist philosopher, she belonged to the mathematical tradition of the Academy of Athens represented by Eudoxus of Cnidus;[12] she followed the school of the 3rd century thinker Plotinus, discouraging empirical enquiry and encouraging logical and mathematical studies.[13] The name Hypatia derives from the adjective ὑπάτη, the feminine form of ὕπατος (upatos), meaning "highest, uppermost, supremest".[14][15]
LifeHypatia was the daughter of Theon, who was her teacher and the last known mathematician associated with the Museum of Alexandria.[16] She traveled to both Athens and Italy to study,[17] before becoming head of the Platonist school at Alexandria in approximately 400.[18] According to the 10th century Byzantine encyclopedia the Suda, she worked as teacher of philosophy, teaching the works of Plato and Aristotle.[19] It is believed that there were both Christians[20] and foreigners[13] among her students. Although Hypatia might have been a pagan (no document refers to her religion), she was respected by a number of Christians, and later held up by Christian authors as a symbol of virtue.[13] The Suda controversially[21] declared her "the wife of Isidore the Philosopher"[19] but agreed she had remained a virgin.[22] Hypatia rebuffed a suitor by showing him her menstrual rags, claiming they demonstrated that there was "nothing beautiful" about carnal desires.[19] Hypatia maintained correspondence with her former pupil Synesius of Cyrene, who in AD 410 became bishop of Ptolemais.[23] Together with the references by Damascius, these are the only surviving writings with descriptions or information from her pupils.[24] The contemporary Christian historiographer Socrates Scholasticus described her in his Ecclesiastical History:
WorksMany of the works commonly attributed to Hypatia are believed to have been collaborative works with her father, Theon Alexandricus; this kind of authorial uncertainty being typical for the situation of feminine philosophy in Antiquity.[25] A partial list of specific accomplishments:
Her contributions to science are reputed to include the charting of celestial bodies[7] and the invention of the hydrometer,[29] used to determine the relative density and gravity of liquids. Her pupil Synesius, bishop of Cyrene, wrote a letter defending her as the inventor of the astrolabe, although earlier astrolabes predate Hypatia's model by at least a century - and her father had gained fame for his treatise on the subject.[30] DeathBelieved to have been the reason for the strained relationship between the Imperial Prefect Orestes and the Patriarch Cyril, Hypatia attracted the ire of a Christian population eager to see the two reconciled. One day in March AD 415,[31] during the season of Lent, her chariot was waylaid on her route home by a Christian mob, possibly Nitrian monks[31] led by a man identified only as Peter, who is thought to be Peter the Reader, Cyril's assistant. The Christian monks stripped her naked and dragged her through the streets to the newly Christianised Caesareum church, where she was brutally killed. Some reports suggest she was flayed with ostraca (pot shards) and set ablaze while still alive, though other accounts suggest those actions happened after her death:
Legacy
Hypatia, painted by Charles William Mitchell in 1885.
Cameron's 1867 photograph Hypatia
An actress, possibly Mary Anderson, in the title role of the play Hypatia, circa 1900.
Late Antiquity to the Age of ReasonShortly after her death, a forged letter attacking Christianity was published under her name.[34] According to Bryan J. Whitfield (The Roberts Department of Christianity at Mercer University), the pagan historian Damascius was "anxious to exploit the scandal of Hypatia's death",[35] and laid the blame squarely on the Christians and Bishop Cyril. His account was incorporated in the Suda and so became widely known. However, Damascius is the only ancient source to say that Cyril was responsible.[36] Maria Dzielska suggests the possibility that Cyril's own guard might have been implicated in the murder. The fact that most historians of the fourth century and later were Christians, is, according to Dzielska, the main reason for the scarcity of the sources on Hypatia and the reason that the truth about her death has been covered up.[37] In the 14th century, historian Nicephorus Gregoras described Eudokia Makrembolitissa as a "second Hypatia".[24] In the early 18th century, the deist scholar John Toland used her death as the basis for an anti-Catholic tract entitled Hypatia: Or the history of a most beautiful, most vertuous, most learned, and every way accomplish’d lady; who was torn to pieces by the clergy of Alexandria, to gratify the pride, emulation, and cruelty of their archbishop, commonly but undeservedly stil’d St. Cyril.[38] This led to a counter-claim being published by Thomas Lewis in 1721 entitled The History Of Hypatia, A most Impudent School-Mistress of Alexandria.[39] Eventually, her story began to be infused with Christian details, as it was first substituted for the missing history of Saint Catherine of Alexandria.[40][41] 19th centuryIn the nineteenth century, interest in the "literary legend of Hypatia" began to rise.[24] Diodata Saluzzo Roero's 1827 Ipazia ovvero delle Filosofie suggested that Cyril had actually converted Hypatia to Christianity, and that she had been killed by a "treacherous" priest. In 1843, German authors Soldan and Heppe argued in their highly influential History of the Witchcraft Trials that Hypatia may have been, in effect, the first famous "witch" punished under Christian authority (see Witch-hunt).[42] In his 1847 Hypatie and 1857 Hypatie et Cyrille, French poet Charles-Marie-René Leconte de Lisle portrayed Hypatia as the epitome of "vulnerable truth and beauty".[43] Charles Kingsley's 1853 novel Hypatia - or New Foes with an Old Face, which portrayed the scholar as a "helpless, pretentious, and erotic heroine",[44] recounted her conversion by a Jewish-Christian named Raphael Aben-Ezra after supposedly becoming disillusioned with Orestes. In 1867, the early photographer Julia Margaret Cameron created a portrait of the scholar as a young woman.[45] 20th centuryReferences to Hypatia appear in other fiction. Some authors mention her in passing, such as Marcel Proust, who dropped her name in the last sentence of "Madame Swann at Home," the first section of Within a Budding Grove. Some characters are named after her, such as Hypatia Cade, a precocious child and main character in the science fiction novel The Ship Who Searched by Mercedes Lackey and Anne McCaffrey. Rinne Groff's 2000 play The Five Hysterical Girls Theorem features a character named Hypatia who lives silently, in fear that she will suffer the fate of her namesake. Hypatia is the name of a 'shipmind' (ship computer) in The Boy Who Would Live Forever, a novel in Frederick Pohl's Heechee series. Umberto Eco's novel Baudolino sees the protagonist meet a secluded society of satyr-like creatures who all take their name and philosophy from Hypatia. A fictional version of the historic character appears in several works and indeed series, such as the Heirs of Alexandria series written by Mercedes Lackey, Eric Flint and Dave Freer, which includes fictitious references to Hypatia's conversion to Christianity and subsequent correspondence with John Chrysostom and Augustine of Hippo; the Corto Maltese adventure Fable of Venice, by characteristic superposition of anachronistic elements, sees Hypatia preside over an intellectual salon in pre-Fascist Italy; and as a recurring character in Mark London Williams' juvenile fiction Danger Boy. She also appears, briefly, as one of the kidnapped scientists and philosophers in the Doctor Who episode Time and the Rani. American astronomer Carl Sagan, in Cosmos: A Personal Voyage, gave a detailed speculative description of Hypatia's death, linking it with the destruction of the Library of Alexandria. A more scholarly historical study of her, Hypatia of Alexandria by Maria Dzielska (translated into English by F. Lyra, published by Harvard University Press), was named by Choice Magazine as an "Outstanding Academic Book of 1995, Philosophy Category". She has been claimed by second wave feminism, most prominently as Hypatia: A Journal of Feminist Philosophy, published since 1986 by Indiana University Press. Judy Chicago's large-scale The Dinner Party awards her a place-setting, and other artistic works draw on or are based on Hypatia. The last two centuries have seen Hypatia's name honored in the sciences, especially astronomy. 238 Hypatia, a main belt asteroid discovered in 1884, was named for her. The lunar crater Hypatia was named after the philosopher, in addition to craters named for her father Theon and for Cyril. The 180 km Rimae Hypatia is located north of the crater, one degree south of the equator, along the Mare Tranquillitatis.[46] By the end of the twentieth century Hypatia's name was applied to projects ranging in scope from an Adobe typeface (Hypatia Sans Pro),[47] to a cooperative community house in Madison, Wisconsin. A genus of moth also bears her name. 21st centuryHer life continues to be fictionalised by authors in many countries and languages. Two recent examples are Ipazia, scienziata alessandrina by Adriano Petta (translated from the Italian in 2004 as Hypatia: Scientist of Alexandria), and Hypatia y la eternidad by Ramon Galí, a fanciful alternate history, in Spanish (2009).[48]. The 2008 novel Azazīl, by Egyptian Muslim author Dr. Yūsuf Zaydan, tells the story of the religious conflict of that time through the eyes of a monk, including a substantial section on Hypatia.[49] Zaydan's book has been criticized by Christians in Egypt.[50] Her life is portrayed in the Malayalam novel Francis Itty Cora (2009) authored by T. D Ramakrishnan. Two examples in English are Remembering Hypatia: A Novel of Ancient Egypt by Brian Trent[51], and Flow Down Like Silver, Hypatia of Alexandria by Ki Longfellow, which was published in September 2009 as the second in a trilogy of the divine feminine, the first being The Secret Magdalene.[52] More factually, Hypatia of Alexandria: Mathematician and Martyr (2007) is a brief (113 page) biography by Michael Deakin, with a focus on her mathematical research. In the 2009 movie Agora, directed by Alejandro Amenábar, Hypatia is depicted by actress Rachel Weisz. Notes
References
This article incorporates text from the public domain Dictionary of Greek and Roman Biography and Mythology by William Smith (1870). Further reading
External links
Categories: 4th-century births | 415 deaths | 4th-century Romans | 5th-century Byzantine people | 5th-century mathematicians | 5th-century philosophers | Romans from Africa | Roman era philosophers | Roman-era Alexandrians | Ancient Greek astrologers | Ancient Greek mathematicians | Ancient Greek women philosophers | Greek women writers | Neoplatonists | Women mathematicians | Late Roman era students in Athens | Hellenism and Christianity | Persecution by early Christians | People executed by flaying | Executed philosophers |
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